Exam Structure
Exam Structure
Three components
1. Exam - 35%
2. Exam - 35%
3. Coursework - 30%
Component 1
Section A: Analysing Media Languages & Representation
- One based on an unseen media product
- Comparison of a product we've studied and an unseen product
Section B: Understanding Media Industries & Audiences
- One based on media itself and the business
- Then questions about media
Advertising
- Codes and conventions
- Layout and design - Placement of article, title, headings etc
- Composition -
- Images/photographs - camera shot type, angle, focus
- Font size, type of font (e.g. serif/sans serif), colour
- Mise-en-scène – colour, lighting, location, costume/dress, hair/make-up
- Graphics, logos etc.
- Language – slogan/tagline and copy
- Anchorage of images and text
- Elements of narrative
Example Advertisement: Celine
- No one else in shot
- Exclusively about the woman
- Natural colours to contrast the bright red dress
- Bland looking woman although beautiful to correlate her elegance to the dress
- Simplisitc
- The placement of the dress is in the centre, flowing around the body so that it is a clear indication of the power the dress is holding
- The woman has short hair as a way of not covering the dress in any way
- Her body is in no way obstructing the dress, the body is almost the accessory
- The dress is wearing her
Discussion
- What is an advert? - A propaganda of a product or agenda for a particular demographic.
- What is the purpose of an advert - To entice the audience to consume their product or message
- What forms can they take? - Video, trailers, posters, leaflets, radio, television, social media, bus stops, cinema
Key Theory 1 - Roland Barthes - Semiotics
Semiotics: Signs, Signifiers & Signifieds
- Anything that can have meaning
- The thing that creates meaning
- The meaning that is created
Example: "Open your books"
Signified: A very specific movement
Example: "Open" (on a restaurant)
Signified: Invitation
Coding
In media studies, coding refer to any element of media language that creates meaning for the audience.
- Hermeneutic Codes -
- Proairetic Codes -
- Textual Analysis -
- Blagging it -
Vanity
Power dynamic
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